James Corden is back in the UK and characteristically busy. Last year, the 45-year-old left his job as Los Angeles-based chat show host of The Late Late Show on CBS. A Christmas special is planned for Gavin & Stacey, the acclaimed BBC sitcom he created with co-star Ruth Jones. There’s talk of reviving One Man, Two Guvnors, the National Theatre’s critically lauded hit comedy that transferred to Broadway, winning Corden a Tony award in 2012.
And later this month, Corden will appear at London’s Old Vic in a short run of Joe Penhall’s new play, The Constituent, helmed by the theatre’s artistic director, Matthew Warchus. Corden’s first stage role since One Man, Two Guvnors, it’s seen as something of a departure (a gamble) for Corden – a serious work about the escalating risks of public service in politics.
All this, but in the UK at least, a question seems to dangle eternally above Corden’s head, like a public relations sword of Damocles.
Put bluntly, why don’t you like him? Why do sizeable swathes of the British public appear to have it in for him?
Why do sizeable swathes of the British public appear to have it in for him?
Because it’s well-documented that he’s a difficult-to-work-for diva, probably. It’s hard to like someone who thinks their money and fame give them the right to treat others badly.
So will the sniping now stop?
We’ve formed an orderly queue (obviously) to each take a turn but I can’t see the front or back of the line.
Like, sure, he’s a massive cunt and everything, but he’s also painfully unfunny and looks like a broken big toe. So not likely.
I was blissfully unaware of him until he took over for Craig Ferguson and then I was like “So he’s ripping off Graham Norton only not funny?”
Talentless, annoying, self indulgent moron
Point of order, this is the community for comedy.
A bit harsh, Gavin and Stacy is great, although having seen Lesbian Vampire Killers, it did make me wonder if Ruth Jones was doing a lot of the heavy lifting there.
He’s a decent writer and straight man who keeps trying to be a goofy comedic lead.
The core problem is that being nice is an act, for him. He’d honestly hold a better reputation if he had leaned into being a dick. But no: he’s on the same vector as Elon Musk, desperately wanting people to love him, while caring vanishingly little for anyone beneath him.
This is the best summary I could come up with:
There’s talk of reviving One Man, Two Guvnors, the National Theatre’s critically lauded hit comedy that transferred to Broadway, winning Corden a Tony award in 2012.
And later this month, Corden will appear at London’s Old Vic in a short run of Joe Penhall’s new play, The Constituent, helmed by the theatre’s artistic director, Matthew Warchus.
Speaking to Kirsty Young on Desert Island Discs in 2012, Corden regretted his “spoilt brattish behaviour” at the 2008 Baftas, saying how unprepared he was for “intoxicating” fame, and recalling a lunch in which Gavin & Stacey co-star Rob Brydon tried to give him advice.
Alan Bennett also saw something in Corden when he was cast as Timms in The History Boys at the National Theatre in 2004 (later made into a 2006 film), urging him to make something of his natural wit.
Corden started as a theatre kid, training at Jackie Palmer Stage School in High Wycombe, Buckinghamshire – also attended by Eddie Redmayne.
Or, less sentimentally, he’s entered a form of reputational rehab – proving his worth treading the boards, a thespian galaxy away from the social media punishment beatings.
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