Best picture

Anora

The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Emilia Pérez

I’m Still Here

Nickel Boys

The Substance

Wicked

Performance by an actor in a leading role

Adrien Brody, The Brutalist

Timothée Chalamet, A Complete Unknown

Colman Domingo, Sing Sing

Ralph Fiennes, Conclave

Sebastian Stan, The Apprentice

Performance by an actor in a supporting role

Yura Borisov, Anora

Kieran Culkin, A Real Pain

Edward Norton, A Complete Unknown

Guy Pearce, The Brutalist

Jeremy Strong, The Apprentice

Performance by an actress in a leading role

Cynthia Erivo, Wicked

Karla Sofía Gascón, Emilia Pérez

Mikey Madison, Anora

Demi Moore, The Substance

Fernanda Torres, I’m Still Here

Performance by an actress in a supporting role

Monica Barbaro, A Complete Unknown

Ariana Grande, Wicked

Felicity Jones, The Brutalist

Isabella Rossellini, Conclave

Zoe Saldaña, Emilia Pérez

Best animated feature film

Flow

Inside Out 2

Memoir of a Snail

Wallace & Gromit: Vengeance Most Fowl

The Wild Robot

Best animated short film

Beautiful Men

In the Shadow of the Cypress

Magic Candies

Wander to Wonder

Yuck!

Achievement in cinematography

The Brutalist

Dune: Part Two

Emilia Pérez

Maria

Nosferatu

Achievement in costume design

A Complete Unknown

Conclave

Gladiator II

Nosferatu

Wicked

Achievement in directing

Anora, Sean Baker

The Brutalist, Brady Corbet

A Complete Unknown, James Mangold

Emilia Pérez, Jacques Audiard

The Substance, Coralie Fargeat

Best documentary feature film

Black Box Diaries

No Other Land

Porcelain War

Soundtrack to a Coup d’Etat

Sugarcane

Best documentary short film

Death by Numbers

I Am Ready, Warden

Incident

Instruments of a Beating Heart

The Only Girl in the Orchestra

Achievement in film editing

Anora, Sean Baker

The Brutalist, David Jancso

Conclave, Nick Emerson

Emilia Pérez, Juliette Welfling

Wicked, Myron Kerstein

Best international feature film

I’m Still Here, Brazil

The Girl with the Needle, Denmark

Emilia Pérez, France

The Seed of the Sacred Fig, Germany

Flow, Latvia

Achievement in makeup and hairstyling

A Different Man, Mike Marino, David Presto and Crystal Jurado

Emilia Pérez, Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini

Nosferatu, David White, Traci Loader and Suzanne Stokes-Munton

The Substance, Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli

Wicked, Frances Hannon, Laura Blount and Sarah Nuth

Original Score

The Brutalist, Daniel Blumberg

Conclave, Volker Bertelmann

Emilia Pérez, Clément Ducol and Camille

Wicked, John Powell and Stephen Schwartz

The Wild Robot, Kris Bowers

Original Song

“El Mal” from Emilia Pérez

“The Journey” from The Six Triple Eight

“Like A Bird” from Sing Sing

“Mi Camino” from Emilia Pérez

“Never Too Late” from Elton John: Never Too Late

Achievement in production design

The Brutalist

Conclave

Dune: Part Two

Nosferatu

Wicked

Best live action short film

A Lien

Anuja

I’m Not a Robot

The Last Ranger

The Man Who Could Not Remain Silent

Achievement in sound

A Complete Unknown

Dune: Part Two

Emilia Pérez

Wicked

The Wild Robot

Achievement in visual effects

Alien: Romulus

Better Man

Dune: Part Two

Kingdom of the Planet of the Apes

Wicked

Writing (Adapted Screenplay)

A Complete Unknown, Screenplay by James Mangold and Jay Cocks

Conclave, Screenplay by Peter Straughan

Emilia Pérez, Screenplay by Jacques Audiard; In collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi

Nickel Boys, Screenplay by RaMell Ross & Joslyn Barnes

Sing Sing, Screenplay by Clint Bentley, Greg Kwedar; Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield

Writing (Original Screenplay)

Anora, Written by Sean Baker

The Brutalist, Written by Brady Corbet, Mona Fastvold

A Real Pain, Written by Jesse Eisenberg

September 5, Written by Moritz Binder, Tim Fehlbaum; Co-Written by Alex David

The Substance, Written by Coralie Fargeat

  • BrikoX
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    4 days ago

    Not sure if I’m just not watching that many movies anymore, or I value different things in those that I watch, but I have seen 0 movies from this year’s list. Wild.

    • golli@lemm.ee
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      3 days ago

      I’d say it depends on how much new releases you’ve seen this year. But while I’d say having not seen a single one (assuming you’ve watched a decent number) is maybe a bit surprising, I can totally see reasons how someone could have ended up not seeing a single one of them.

      Many are also still just in cinemas (like the brutality) or only available for digital rental, not streaming. With Wicked and Emilia Perez you have musicals that many (me included) don’t care for as much. You probably won’t go see a complete unknown or better man, if you aren’t a fan of the artist. And I could go on and list reasons for all other films.

      But I’d be curious: of the ones you have seen this year which stood out to you or would you have liked to see nominated?


      Personally from the nominated ones I’ve seen

      In cinema: Dune part II, Alien Romulus, Nosferatu

      At a festival: the substance, black box diaries

      And otherwise I’ve seen Anora, Conclave, The wild robot, gladiator II

      • BrikoX
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        3 days ago

        I skipped 2 on purpose. Dune: Part Two (not watching until I finish the books) and Wicked (too overhyped, if you need $150 millions to spend on marketing something, it’s not worth watching in my mind).

        I heard of Nosferatu, Inside Out 2 and Gladiator II, but many of the other entries didn’t even catch my eye throughout the year.

        Looking at my stats, It has been a light year on movies for me. Only 9 movies I saw were released in 2024.

        My standout was Hounds of War (2024), not worth any nominations, but it really surprised me.

        • golli@lemm.ee
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          3 days ago

          I skipped 2 on purpose. Dune: Part Two (not watching until I finish the books)

          When you write books, plural, do you just want to read them all while not having the movies influence your own imagination? which i could totally understand. Because otherwise from a spoiler perspective the two movies just adapt the first novel.

          (too overhyped, if you need $150 millions to spend on marketing something, it’s not worth watching in my mind).

          I was under the impression that many large blockbuster productions nowadays have similar sized marketing budgets. Maybe $150m is a bit on the high side for Wicked, but from a quick search Dune Part II also seems like it had a roughly $100m one.

          I heard of Nosferatu, Inside Out 2 and Gladiator II, but many of the other entries didn’t even catch my eye throughout the year.

          Tbh not suprising for some of the reasons mentioned above. And i think particular something like Anora gets a lot of buzz on the critic side, but hardly any mainstream attention. So you’d have to actively pay attention to that.

          Looking at my stats, It has been a light year on movies for me. Only 9 movies I saw were released in 2024.

          Tbh while i thought that there were some great movies, it probably was a light year for movies in general, at least for me. I’d say it was more dominated by the large flops we had: Joker 2, Megalopolis, Madame Web, The Crow, Borderlands and so on.

          • BrikoX
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            3 days ago

            When you write books, plural, do you just want to read them all while not having them influence your own imagination? which i could totally understand. Because otherwise from a spoiler perspective the two movies just adapt the first novel.

            I don’t particularly like adaptations in general since most of them are only made to cash in on the popular name. But when something not completely shit is made I like to go into it with having consumed original medium and then be able to compare and speculate the different reasons for the decisions made in the adaptation.

            I was under the impression that many large blockbuster productions nowadays have similar sized marketing budgets. Maybe $150m is a bit on the high side for Wicked, but from a quick search Dune Part II also seems like it had a roughly $100m one.

            It used to be rare. But with Barbie’s gamble paying off, everyone thinks it’s the winning strategy now. I’m just proving them wrong. :)