The most famous loop af all times! "Amen Break," a six-second drum sample( starts at 1:26 ) from the b-side of this chart-topping single from 1969. This sample was used extensively in early hiphop and sample-based music, and became the basis for drum-and-bass and jungle music -- a six-second clip that spawned several entire subcultures. If you want to dive deeper into the evolving role of breakbeats in electronic music, watch this video: https://youtu.be/eJf9Jptq7VY Watch this video about the Amen Break: http://www.youtube.com/watch?v=5SaFTm2bcac The Winstons - Amen, Brother ( http://en.wikipedia.org/wiki/The_Winstons ) Wikipedia Source: "The Winstons were a 1960s funk and soul music group, based in Washington, D.C.. They are known for their 1969 recording of an EP featuring a song entitled "Color Him Father" on the A-side, and a song entitled "Amen, Brother" on the B-side. Half-way into "Amen, Brother", there is a drum solo (performed by G.C. Coleman) which would cause The Winston's EP to become one of the most widely-sampled records in the history of electronic music. Sampled audio clips of the drum solo became known as the Amen Break, which has been used in thousands of tracks in a large number of musical genres, including drum and bass, hip hop, jungle, big beat, industrial and electronica. The "Color Him Father" record sold over one million copies, and received a gold record awarded by the Recording Industry Association of America on 24 July 1969." Label : (Metromedia Records, BMI) Biography by Ron Wynn & Bruce Eder : A Washington, D.C.-based soul act led by Richard Spencer, the Winstons signed to Curtom in early 1968 and lasted there for one single, the rousing "Need a Replacement." They had a sound that was somewhat similar to the Impressions, but were unfortunate enough to have signed with Curtom before the label had national distribution, and the single never got the play it should have. A year after leaving Curtom, they hit for the Metromedia label with a huge single called "Color Him Father," which became a Top Ten R&B and pop hit, just missing number one on the R&B list, and also earned a Grammy for Best R&B Song. It was both a great tribute number and outstanding lead vocal from Richard Spencer, along with Ray Maritano, Quincy Mattison, Phil Tolotta, Sonny Peckrol, and G.C. Coleman. Mattison and Coleman were veterans of Otis Redding's band. The Winstons eventually toured as the backup band for the Impressions, but never again made any noise on the charts. The Winstons line-up included: Gregory C. Coleman (vocals, drums) Ray Maritano (vocals, alto saxophone) Quincy Mattison (vocals, lead guitar) Sonny Pekerol (vocals, bass guitar) Richard Lewis Spencer (lead vocals, tenor saxophone) Phil Tolotta (second lead, organ) DISCLAIMER: I don't own the music/videos and i don't take any credit of any track/videos i uploaded on this channel. All materials uploaded are only for promotion and not monetized. If any producer or label has an issue with any of the uploads please get in contact with me and I will delete it immediately. Email: [email protected]

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  • SpookyVanguard64 [he/him]@hexbear.netEnglish
    1·
    6 months ago

    Sometime last year or earlier this year, someone in the Jungle subreddit posted a section of a 1992/93 1993 issue of some underground rave music magazine from the UK, specifically a section that contained an interview with Pascal & Sponge (who were producing Breakbeat Hardcore/Jungle songs together as Johnny Jungle at the time). The interview was pretty short and not that interesting in the grand scheme of things, but the one thing that stuck with me from it was a brief line from Pascal complaining that the Amen Break was overused lol.

    Which is pretty incredible when you consider the historical context. IIRC the first breakbeat to be sampled & used in a song was the Apache Break all the way back in 1980. By contrast, the Amen break wasn’t first used until 1986, and only 6-7 years later it had exploded in popularity to the point that some people were already starting to get tired of it. And in the 30 years since then, it’s continued to grow in popularity to the point that most casual fans of Breakbeat, old skool Hip-Hop, Jungle, DnB, Breakcore, IDM, etc. are at least somewhat familiar with it & it’s history. The Apache Break is still easily within the top 5 when it comes to most sampled breakbeats of all time, and it has nowhere near the same level of casual recognition. Even second most sampled breakbeat, the Think Break, doesn’t come close to the Amen on that front.

    Edit: Here’s the interview, and the relevant quote:

    Q: Do you prefer the music of today or the stuff that was around a year ago and what do you see as the future of rave music?

    A: I do prefer the music of today. I’m not sure about what the way ahead is though. I do think that everyone should stop using that Amen break because if anything is going to kill hardcore it will be that. People are going to get very tired of it. There are loads of breaks out there, it’s just that most people are too lazy to look and find them. Havibg [sic] said that I do think that the Amen breakbeat is the same for Hardcore as the bass drum is to House.