I don’t get it. Her music is sometimes catchy but otherwise unremarkable, from the songs I’ve heard. How does she break all these records and accumulate so much fame and wealth?

She’s pretty, but a lot of singer songwriters are, especially those with makeup and costume people, a support staff.

Is there something else to her that people like?

I’m confused about what makes her so apparently unique or phenomenal.

Update: there are so many things that make swift unique or phenomenal.

I’ve received tons of great answers from people that have helped me understand, like piecing together a jigsaw puzzle, many factors that makes swift different and consequently more successful than her peers.

Clever lyrics, top-tier production, sharing autobiographical and emotional points in her life very directly, apparent honesty with few or no public blemishes, creating a community of fans through Easter eggs and house parties and unconventional, but always personal methods, an early start supported by wealthy parents, she keeps winning against abusers, and her music itself is popular and fun.

Those are just a few of the puzzle pieces contributed here, and a dive into this post is a pretty good explanation of many of the factors that must be contributing to her phenomenal success and recognition, that set her apart from other pop stars, even pop stars who were phenoms in their own right.

This is a very educational post, thank you to everyone who has contributed.

  • QuesoBlanco@lemmy.world
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    11 months ago

    I feel like this is kind of a trap question. Everything about this entire thread feels that way - I don’t want it to seem as if I’m attacking you here - and it’s a microcosm of why discussion of Swift is so polarizing. For some reason, she, more than any other artist I can call to mind, is discussed in black and white terminology. There’s almost no middle ground. You need to either love her or hate her.

    Does she possess the lyrical genius of, like, Leonard Cohen? I mean, I don’t know. I think she’s pretty great, but back in the day I’d have been stoned to death on r/Music for suggesting they were in the same league.

    What I will say is I think she’s as honest as Cohen was, and that’s something the best songwriters all have. I think she writes from an extremely authentic place, and I respect the hell out of that. In recent years, I think co-writing with Jack Antonoff has only further unlocked her potential.

    Some examples of hers I think are great - You’re On Your Own Kid, Champagne Problems, and My Tears Ricochet.

    Her pop stuff has some great lyricism as well, but pop music as a genre is generally under appreciated for its lyrics. Obviously, not in all cases; there’s a shitload of manufactured garbage out there. But most of the 1989 album is borderline - if not outright - excellent in this regard. It didn’t get any serious attention though until that shitbag Ryan Adams covered the whole thing, and got people to hear the lyrics in a different way.

    • 1984@lemmy.today
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      11 months ago

      I understand you feel that way. But this thread made me give her a chance, so I listened to a couple of her albums. They were pretty decent. Catchy music, good car music. So I get it, she is pretty good. I guess I wouldn’t call her amazing but I can see how others may feel that way.

      I haven’t looked into her lyrics yet. If she is honest, that sounds great to me.

      Thank you. :)

      • QuesoBlanco@lemmy.world
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        11 months ago

        Pretty cool you gave her a chance!

        I’m a middle aged guy, and I grew up primarily on a mix of 60s-70s-80s rock that my dad fed me, great folk artists my mom loved, and the music of my own formative years (probably most impactful was the grunge scene and its most famous children).

        I don’t identify with much modern music, but she’s someone I’ve always respected for some reason. There are obviously other exceptions as well, she’s just the biggest thing going right now.