It’s always a strange place to draw the line. Like you’re admitting that you think that the powers that be are evil enough to plot, plan, facilitate, and/or allow through inaction two skyscrapers coming down in the middle of the country’s largest city for the sake of broader global agitation goals, but using real planes full of Real Americans to achieve this is a step too far and Too Evil for the Proud American Empire, so it must have been drones or CGI or a missile with wings.
I see this a lot on the internet but it’s only partially true, like it only happens for the 0.1% of collectors who can afford to slosh $80m in wet paintings into freeports every season. The vast majority of collectors just want to sell their work for more then they paid for it 20 years ago. Return expectations are still wildly inflated, but the whole market actually isn’t just a laundering scheme, and most “investors” in conventional art break even at best.
Source: I’m the brilliant but sexy art history major in every airport novel you’ve read
Gatekeeping Deleuze instagrammmers on my Deleuze subreddit without a hint of irony :fedora:
Super Smash Bros. Ultimate
Reject RGB, return to greige plastic :monke-return: