The thing about marriage is that anybody can do it. You don’t have to love somebody to marry them. It isn’t special. There’s no test you have to take together or qualifications you have to meet.
So yeah - he’s angry, and lonely, and he’s also married, but none of those things are related to each other.
Sounds like he needs therapy, but in our society men aren’t encouraged to share emotions if it doesn’t perpetuate an image of strength. So he’s expressing his emotions in a “socially acceptable” way: anger. Which is probably what also got him into these backwards ideas about his political ideology as well.
Can somebody paste these as text into the comments? I’m on mobile but would love to send some of these characters to a friend with zero context.
Saved you a click.
Sen. Michael Bennet (D-Colo.)
Plexamp can do all of this (not sure about mdna speakers though) and it has Tidal integration.
Finamp will also work but it lacks library/genre radio and mix support last time I checked.
Paal Enger, a rising prospect for a celebrated Norwegian soccer club who traded a game that he loved for another — art theft — that he absolutely relished, culminating in his infamous 1994 heist of Edvard Munch’s masterpiece “The Scream,” died on June 29 in Oslo. He was 57.
His death was confirmed by Nils Christian Nordhus, an Oslo-based lawyer who formerly represented Mr. Enger. He did not provide any more details.
Mr. Enger, who was born in Oslo on March 26, 1967, rose from the junior system of Vaalerenga, a five-time champion of Norway’s top-level league, now known as Eliteserien, and in 1985 made his debut with the club.
As a youth, he was a fan of the Argentine soccer star Diego Maradona. But his real hero, according to a 2021 profile in The Athletic, was Don Vito Corleone, the fictional crime boss played by Marlon Brando in “The Godfather.” He was so immersed in Mafia lore that when he was 15, he flew to New York to see for himself the locations where the Academy Award-winning “Godfather” films were shot.
By then, he was no stranger to the world of life outside the law. “I grew up in Tveita, on the east side of Oslo, and people there don’t have much money,” he said in an interview last year with the British tabloid The Sun. “We started doing crime when we were very young and I found it exciting. I carried on because I enjoyed it very much.”
Graduating from boosting candy to cracking safes and blowing up automated teller machines with neighborhood friends, he proved a phenom in both athletics and crime.
can people just be reasonable?
Not when there are pearls to be clutched.
I really admire your drive to produce art. You are absolutely cranking these things out!
I like how garage
is a class but car
is an intrinsic element.
Should be the same across any instance.
Hot: calculated using the current score (up/down votes) in combination with how new it is.
Active: calculated using current score in combination with the timestamp of the newest comment:
https://github.com/LemmyNet/lemmy/blob/main/crates/db_schema/src/aggregates/post_aggregates.rs
Google’s own Shaka sdk (video playback with ads) gives ad markers in the initial video manifest so that they can be marked on the timeline, so hopefully it’ll be trivial. Usually (but not always) with SSAI, the ads are spliced into the stream just before being sent to the client. That way if a user has just recently watched an ad pod, the server can choose to ignore that marker for a better UX in hopes that they don’t bounce if ads are too frequent.
I thought it fit.
Rap Artist Breaks 20 Year Silence To Take on the Medical Industrial Complex
Sounds more oniony to me than 90% of the things posted recently.
But how do you keep it from just sinking down into the pocket every 20mins? That’s the guide I need.
I run both side-by-side, but for me Plex is still the clear winner right now for features and polish.
Sure. Obviously it’s more complex than that, but it helps illustrate where the math came from in the parent comment. I don’t know why Tidal pays more, but I’m hypothesizing its because most of their “co-owners” of Tidal are themselves, artists/musicians, which IMO is significantly better than the out of touch folks running Spotify.
Think of it not in terms of revenue percentages, but by payouts per song stream:
Service | Payout/song | Plays to make $1 |
---|---|---|
Tidal Music | $0.01284 | 78 |
Apple Music | $0.008 | 125 |
Amazon Music | $0.00402 | 249 |
Spotify | $0.00318 | 314 |
YouTube Music | $0.002 | 500 |
Pandora | $0.00133 | 752 |
Deezer | $0.0011 | 909 |
So song for song, Apple is paying 2.5x what Spotify is (.008/.00318), and Tidal is paying out a whopping 4x what Spotify pays.
Sauce: https://producerhive.com/music-marketing-tips/streaming-royalties-breakdown/
Yeah I’m on the free plan which used to include FLAC and 320kpbs, but they stopped doing that for free plans about a year ago I think.
I’ve been using deemix, and for the most part it’s been pretty seamless. Stuff direct downloads instantly, but it’s all in 128kbps now unfortunately. Then I have lidarr monitor everything for a lossless version.
You need a spell checker friend.