This is just the latest of a barrage of instances whereupon justice does not compromise at all, regardless of circumstance or side, and moreso upholds the rights of the truly hapless, as well as those who continually campaign for humanity’s good, over those who campaign only for themselves and their ill-gotten wealth and power.

I would also like to add that she’s also in the game Sayonara Wild Hearts as the Narrator herself, as a sort of last-minute addition by the developers at Simogo.

This is a simple yet effectively-down-to-earth meme right here. Not all conflicts and problems have to be responded with abject rage and negativity; humility, a willingness to listen with caution, and most of all, an eagerness to explain and discern beyond the bubble like your favorite high school/collegiate instructor would, are all that it takes for positive and fruitful conversations and engagements, especially in online rafts like the ones we currently have built down here.

With how us humans, regardless of social standing, continue to develop our entire civilization, especially with our immediate surroundings, for the past several centuries, the rate at which we are doing so has been slowly speeding up with newfound technologies and measures, a side effect that of which has been slowly replacing the sweet, calming ambience of nature itself with the brutalist, artificial statis of urban life, without much regard to the creatures we are supposed to take care of and equally preserve for generations to come.
Truly, if we do not ever strive and make pushes towards a sort of a humane-ecological balance, alongside tackling greed as a major factor in this critical climate crisis, we might as well see the Earth’s natural resources go “Stand Still, Stay Silent”.

Modular synthesis, archiving, lost media, and most of all, rhythm game lore.

I’ve been entirely mostly off from OMORI these days, and still on vivid/statis, wherein I still seem to stagnate at my current ability to clear Classes 2 and/or 3 on Course Mode, as well as raising my personal skills and score on Middle charts past Level 6-9+, just for that last requirement on the final Final Landing song’s equivalent chart.

Considering its merits as a meaty scifi story (involving realities, personas, and other relevant technological aspects) nestled within a 4-key rhythm game, I think vivid/statis would fare decently as a standalone novel, along with some tweaks to adapt and interpret the ARG-esque bits whenever possible.

I’d say my personal faves are that of OMORI, Sayonara Wild Hearts, Sky: Children of the Light, and the two OXENFREE titles.

Those last seven days? Mostly vivid/statis (PC) and Shattered Pixel Dungeon (mobile).
In particular, for the former, I’ve been slowly improving myself in recognizing medium-to-hard charts and beating them, mostly of the Middle difficulty, although I found the Cyclical Rebellion one quite hard to maneuver, requiring extra reflex time to get through the tricky sections. Story-wise, I held off from experiencing the second-to-last episode of Chapter 3 until I can build up the stamina and patience needed for its corresponding boss song chart (of which I’m either gunning for Opening or Middle, owing to my rather newbie-status in serious, well-polished 4k rhythm games in general), but from what much I had gleaned out of, from the game’s official Discord hub, there’s a lot going on behind the scenes, particularly on the main characters’ dimensional dilemma and the concept of “cycles”. Gameplay-wise, I still am grappling over the fact I get more early notes, and less late ones, than a stable balance, but I attribute it mostly to my proficiency and a rather minor irregular rhythm/beat following.

As for my own backlog, though, I still have the unplayed demo for Until Then, as well as OMORI, and Disc Room, the last of which I haven’t touched upon since my last playthrough some three years back.

Nowadays, it’s through “bait-and-switch” rip vids made by Youtube channels like SiIvaGunner and TimmyTurnersGrandDad.
I also keep a casual eye towards new releases on itch.io.

I also felt the normalcy kicking back in at this moment; days or weeks ago, it felt like jumbled static and spammed noise perusing through this digital seaside village, with storms periodically downing the entire rafterstructure.

Whatever you are doing and faring right now, Mr. @ernest, stay humble and keep on doing for the best of all, even if it means having to ask for additional help from us when circumstances are dire. :D

vivid/statis
Venice 2089
Clodhoppers
When the Past was Around

Hayyy… Marso na naman, at nagsisimula na naman ang kaalingsangan rito…

Down the chats of the official Fanlore discord server lately (of which I have been in for the past few months), they’ve been discussing this kind of transgression alongside the HP fanfic debacle (specifically, the Manacled one, of which upon its reworked professional release by its fanfic author gained enough controversy within and outside the fandom that it warranted for a wiki article on its own).

Also, one editor has suggested using “illegal fic binding” in place of the term "illegal “fanbinding” as the latter connotes the non-profit work with a for-profit tone in a negative way. Another has noted that het (in other words, F/M) fanfics sell much more than other pairing-centered ones, and attract more outsiders willing to buy that much for an illegal fic-binded copy, in disrespect to those original authors; throw the franchise copyright shenanigans in, and there we have the entire panfandom world at a crossroads battlefield against those recklessly profiteering for the sake of it.

Also, as a side note, there’s also this recently-created wiki article section about said fannish controversy:
https://fanlore.org/wiki/Fannish_Bookbinding#Criticism_and_Controversies

Not only that, but through his past connections as a demoscene musician back in the early 1990s (for example, the dark cyberpunk/sci-fi aspect of the soundtrack for “Hardwired”, an Amiga OCS creative demo by Silents and Crionics), he has shown his homegrown compositional prowess, even to other musical genres unrelated to that.

Most, if not all, of my experienced dreams so far, have been in 1st person, as if I’m the one living through whatever realism-fantasy-scifi shenanigans I’m in; thing is, most of the time, they’re almost exclusively set within my home province, including the central capital city, highways and all.
Consuming and creating various creative media also has its own part in aligning perspectives in those dreams, as well as how the supposed “plot”/“storyline” plays out in its entirety.

Reading all of this in depth while silently sipping across my leaf-green cup of hot 3-in-1 coffee in the morning, I’m now seeing almost the whole picture with the new TenForward online hub-raft and the reasons for its founding. ValSub, as evidenced by the screenshots and credible anecdotes by others experiencing the ire at the supposed mod overreach on that particular instance, has come off to me as bespoke of a too passionate fan enthusiast, much like that of Dream SMP of a few years prior, while exhibiting multiple instances of verified victim complex. Even though the original intent of said instance is to have a fair ground for all to discuss and meme their watched Star Trek content, including fanworks (Happy International Fanworks Day, after all!) of every type.

In the end, as a fellow recent Fediversian myself, I take sympathy towards not only you, Stamets, but also to the countless others who have been fed up with the sudden debauchery of such a rogue, highly-agitated mod person for weeks on end.
May the Federation prosper, even through understandable disagreements and hardships, as well as triumphs and camaderie, both large and small.

Philippines (current overall)

• Kindergarten 1-2 (ages 4-5 (or 6, in some cases))
• Elementary (Grades 1-6)
• Junior High (Grades 7-10)
• Senior High (Grades 11-12) (generally 17-20)

Hey, I know that from OMORI—specifically, the Weeping Willow joke quest.

It’s okay by me; no one’s actually got their guts and feels hurt by that much. All is fair game.