It’s a pretty small update - the project is still in the very early stages:
And last week at the premiere when pressed on their progress, Kurtzman confirmed he had “not yet” seen scripts, noting “They’re just breaking story.” The executive producer also said he speaks to them about the project regularly, adding “I mean, I adore both of them so much, they’re so fantastic, and I trust them a lot.”
What I want from Trek:
✅️ A sensible tone, mostly serious and sometimes silly. Like real life.
✅️ An exploration of morals, ethics and the human condition, aligned with the mostly utopian future depicted by 80s and 90s Trek.
✅️ An episodic plot that is not overrun by a season arc but not devoid of character development.
✅️ Occasional fun episodes with dress up and jokes.
✅️ Full orchestral score.
❌️ Too many action scenes and explosions.
❌️ Too much budget on CGI.
❌️ Over the top cheesy fan service.
❌️ Rewriting cannon.
❌️ Excessively American oriented script.
❌️ Lazy storytelling.
❌️ Reusing plot devices.
You need to hit Enter twice (or put 2 spaces at the end of each entry), otherwise your newlines get ignored and your list runs together in one giant paragraph.
Just for you my lawful good friend
I’m 50/50 on the episodic plots. I think that DS9 hit a good balance there: The plots were mostly episodic but usually connected to an overarching metaplot. That felt pretty good; not too loose and not too tight.
Same here. While the arcs at the end of the series were a little too serialized for my taste, most of the time the overarching continuity was really good.
Spot on.
SNW is good but I don’t think we’ll ever see a return to the old TV format of 20+ episode seasons. You can’t do random episodic stories all that well in 6-12 episodes. Short seasons have no room to breathe.
Even Futurama has this problem with the two new Hulu seasons, and that’s without the burden of an overarching plot to keep moving forward.