Go ahead and separate the art from the artist. You’re still a fan of a book that demeans women for having masculine traits, engages in pro-slavery myths, doesn’t bother to represent Asian people authentically and uses an asian girl as an object for a white boy to fall in love with, engages in homophobic allegory about AIDS, uses insensitive names for black people, uses racist Irish stereotypes for comedy, plays off rape trauma as funny, mocks anti-slavery political movements, and villifies aro/ace/apla people.